If

Aggêo Simões and Marcus Nascimento, 6 min, Brazil, experimental, 1998.
_Fluxus 2000 (Brasil Digital 2000 - Festival Brasileiro de Cinema na Internet)_
If is a foray into a series of poems (haiku) related to vision, taste, smell, hearing and consciousness. Peppered throughout are impressions and sensations.

Targa-Stalker

Carlosmagno Rodrigues, 4min30, Brazil, Experimental, 2001.
_Fluxus 2001 (Brasil Digital 2001 - Festival Brasileiro de Cinema na Internet)_
A wounded Israeli soldier, fighters, armed conflicts, and images of Full Metal Jacket by Stanley Kubrick. From television and homemade images, a metaphor for the romantic exercise of audiovisual production.

Blow

Sopro

Cao Guimarães and Rivane Neuenschwander, 5min30, Brazil, Experimental, 2000.
_Fluxus 2001 (Brasil Digital 2001 - Festival Brasileiro de Cinema na Internet)_
The relation between what is inside and what is outside. The translucent multiform of a bubble shows the world that contains it and that it is contained by it. The bubble, which never blows up, is a metaphor for the continuity of the things.

Alone

Só

Conrado Almada, 4 min, Brazil, Animation, 2000
_Fluxus 2001 (Brasil Digital 2001 - Festival Brasileiro de Cinema na Internet)_
The video tells the unusual journey of a boy into his own ego. There he finds himself alone, having only his person for company.

Whoosh

Anouk de Clercq, 12 min, Bélgica|Belgium, Experimental, 2001.
_Fluxus 2002_
Motion pictures, motion graphics and music interplay in a poetic reflection on our accelerated age.

Tomato heads

Tomatenköpfe

Paul Horn, Harald Hund, 6 min, Austria, Experimental, 2001.
_Fluxus 2002_
We're introduced to the everyday life of the family Meiberger. Although they do ordinary things, something is strange. Mr. and Mrs. Meiberger are living upside down.

In a waken

Anney Bonney, 3min, USA, Experimental, 2002.
_Fluxus 2002_
A man, his normal urban paranormality, is hurtled into a space/state between trauma, sleep, waking and awareness. Excerpt from Root of an Unfocus by John Cage, performed by Anthony de Mare.

Here again

Aqui de novo

Lucas Bambozzi, 6 min, Brazil, Experimental, 2002.
_Fluxus 2002_
The contradiction between what you want and what you do. The distance between what you say and what you want to say.

Gameover

Vadim Vyazantsev, 55seg, Russia, Experimental, 2002.
_Fluxus 2003_
Playing with people. The film that lasts 55 seconds had been produced during four years (1998-2002). This performance parodies the Russian penchant for simulating the high-tech through a combination of brute force and the enthusiasm of a motivated group of individuals.

Digitalsnapshot - Minute manipulations of space, place and time

Digitalsnapshot - Momentmanipulationen von raum, ort und zeit

Lo Iacono, 4 min., Germany, Experimental, 2005.
_Fluxus 2005_
Digitalsnapshot is similar to a doc-animation dealing with the correlation of digital manipulations and candid documentary shots.

Venice

Haruo Ishii, 2 min, Japan, Experimental, 2004.
_Fluxus 2005_
This is a series of works called A Small Country in which the artist has shot the everyday landscape with Super-8. These images have a personal point of view and are the accumulation of memory fragments.

The lake

O lago

Pedro Vilela and Paulo Vilela, 5 min, Brazil, Experimental, 2006.
_Fluxus 2006_
A lake, a landscape. Does time change everything?

The place you left

Jun Ho Oh, 10 min., USA, Ficção|Fiction, 2006.
_Fluxus 2006_
After you left and I remained here alone, the place of memory turns to be vile and empty. Although it's too hard to wait for your answer without promise, I'm waiting for you while holding my breath and feeling your way.

Show your tongue

Seoungho Cho, USA, 6 min, Experimental, 2005.
_Fluxus 2006_
The film could be described as a slice of nature put to an electronic soundtrack; however with powerful and yet subtle digital manipulation, the director creates an intense and at times disturbing work that ventures into the dangerous waters of desire, fear and the unknown.